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61
G
10.03.2025
published by
published by
Graphic
60
F
10.03.2025
girl i trust
together with:
NIKI HERMKES
girl i trust
Film
duration:
2:42´
59
F
07.03.2025
pas vers la liberté
pas vers la liberté
Film
duration:
12:49´
The general theme I'm talking about in the movie is the fear of loss. The name of the movie is “Passi Verso La Libertà” meaning “Steps Towards Freedom”. It's about freeing one's present self from one’s past self. The film starts with the question “have you ever wondered what it’s like to never let go?”. The other 11 minutes work through that question with the protagonist being displayed by 4 characters. The last minute answers the actual meaning of that question. The viewer follows the protagonist (Esther) being driven in a car to her hometown. She's talking about a friend of hers (Boris) that she knew since she was 14 years old and how everything changed on a random Tuesday. The viewer gets introduced to the characters traits a little bit more and Esther in the end says that Boris died two days ago, and that she found some old tapes which she wants to show us. The first song starts. it's called “The Death Of Ruby” by Ruby Haunt which talks about a woman walking in the street trying to meet somebody, in our case Boris. She goes on saying “all the boys from the back look like you but when they turned around it wasn't you”. In the visuals the viewer gets to see alternating shots of Esther and Boris dancing. But never together. Now it is walking home and she closes the door and the camera shifts to a different room where somebody's just waking up. That somebody is Anna the third character to be introduced. Anna is portrayed as Esthers flatmate and she shows some sort of understanding by saying “If I had that much pain I would probably wanna die too.” This shows how death doesn't only affect yourself but also the people around you. The viewer then follows Annas mundane morning routine before cutting to the second main song called “She Was A Queen” by Rosalyn. Annas part is the climax of the movie if you see it in a traditional sense but it was intentionally left very slow and static because this part of the movie is about working through the pain. Which mostly feels slow and static. The performance is somewhat sensual and strong but weak and vulnerable at the same time. Anna in the end of part 2 says: “and it really made me realise about how they’re just sort of drifting to the other side. they have one foot here and one foot somewhere else”. The viewer sees crossing footprints in sand. this is how the fourth and last character, naomi, gets introduced. the third main song “I Can’t Handle Change” by Roar starts. “I can feel myself blur. The past in the now” gets displayed on the screen. Naomi just woke up. She’s an addict. Changing through the pain she can’t handle. Or being in pain because of the change she can’t handle. She brushes her teeth, drinks wine, smokes a cigarette, leaves the building and constantly doubts herself. She wants to be left alone. The viewer sees her pouring a bottle of wine over herself. For amplified excessiveness purposes. After that Naomi performs for a few seconds before starting to run into nothingness/freedom. The camera follows, switches a lot and eventually overtakes her, pans to a frontal view and quickly cuts to black. “Your past died two days ago. Stop chasing it.” gets displayed. This serves as the resolution and it tells us a couple of things. Boris never died. Boris probably never even existed. Boris was the metaphor for the protagonists past self. There were 4 people but only 1 character. The different people were not representative for her physical surroundings (as in people) but for the different stages of letting go of one’s past self. It was never about mourning somebody else. It was about mourning one’s own self. The viewer is in a sense being misguided up until the very last minute. That’s what somebody might argue. I might not agree with that. To me the viewer just isn’t being shown the full picture. just like people in real life are never being shown the full picture. lastly: this is just my take on it. your interpretation may completely differ and i’d welcome that.
58
G
27.02.2025
cdc
cdc
Graphic
57
O
24.02.2025
shoe
shoe
Objects
56
G
28.01.2025
fiasco
fiasco
Graphic
55
I
21.01.2025
drop sprint
drop sprint
Interaction
54
T
30.12.2024
twenty, twenty four
twenty, twenty four
Text
53
G
12.12.2024
sweet loving
sweet loving
Graphic
52
G
11.12.2024
show modeklasse
together with:
MINNA ROTHBART
show modeklasse
Graphic
51
O
05.12.2024
shirt prints
shirt prints
Objects
50
G
22.11.2024
various
various
Graphic
49
S
15.11.2024
plastershoe
together with:
CHEYENNE CATTANEO
plastershoe
Sculptures
48
P
11.11.2024
stu
talent:
MAYA ROSA HACKL
stu
Photography
47
P
11.11.2024
the past in the now
talent:
MAYA ROSA HACKL
the past in the now
Photography
46
S
10.11.2024
digital sculpture
digital sculpture
Sculptures
45
G
07.11.2024
vide cappello
together with:
CHEYENNE CATTANEO
vide cappello
Graphic
44
O
19.10.2024
seiko
seiko
Objects
43
O
03.09.2024
single use ashtray
single use ashtray
Objects
42
P
02.09.2024
yayamamaya
yayamamaya
Photography
41
F
16.08.2024
a big piece (hate)
duration:
2:43'
a big piece, (hate)
Film
40
T
16.08.2024
a big piece (love)
duration:
2:38'
a big piece, (love)
Text
39
T
10.08.2024
it’s 2025
it’s 2025
Text
38
I
26.07.2024
i hate therefore i am
together with:
AMELIE RASK HELLEROE
i hate therefore i am
Interaction
37
G
06.04.2024
conclusion: an empty stomach
conclusion: an empty stomach
Graphic
36
O
04.04.2024
rubber band tie
rubber band tie
Objects
35
O
03.04.2024
pocket tie
pocket tie
Objects
34
O
02.04.2024
eyelet tie
eyelet tie
Objects
33
G
28.01.2024
on digressing
on digressing
Graphic
32
G
25.01.2024
angewandte festival ’24
together with:
TOBIAS TAKATS
angewandte festival ’24
Graphic
31
S
17.01.2024
the value of falling out of love
the value of falling out of love
Sculptures
30
G
15.01.2024
a pile of love
together with:
ANAIS ERIKKSSON
a pile of love
Graphic
29
T
21.12.2023
twenty, twenty three
twenty, twenty three
Text
28
P
21.09.2023
abundant emptiness
abundant emptiness
Photography
27
G
14.09.2023
morgue files
morgue files
Graphic
26
P
15.08.2023
loose mud
talents:
SIMON EGGER, JAKOB STEIXNER
loose mud
Photography
25
P
30.04.2023
la olala
talent:
MAYA ROSA HACKL
la olala, yayamamamaya
Photography
24
P
05.02.2023
false identities
false identities
Photography
23
G
30.12.2022
egomaniac
egomaniac
Graphic
22
G
16.12.2022
adore
adore
Graphic
a simple approach to skincare
21
G
28.11.2022
structured chaos
structured chaos
Graphic
20
P
29.10.2022
1 or 3 layers
1 or 3 layers
Photography
black and white film developed and scanned as if it was color film
19
G
22.10.2022
raz narson
raz narson
Graphic
18
G
17.09.2022
spineless
spineless
Graphic
17
G
10.08.2022
laundry party
laundry party
Graphic
16
P
21.06.2022
the others
talent:
MAYA ROSA HACKL
the others
Photography
15
G
18.05.2022
gender roles
gender roles
Graphic
14
G
24.04.2022
archived dreams
archived dreams
Graphic
13
P
20.11.2021
suffocation
talent:
JULIANA KASSMANN
suffocation
Photography
Speak up about these issues.‍ Talk with your family and friends. Let's stop destroying the very thing that is keeping us alive.
12
P
20.11.2021
self isolation
talent:
JULIANA KASSMANN
self isolation
Photography
(a state or period of remaining apart from others, in order to avoid social contact for mental reasons or to prevent the transmission or acquisition of an infectious disease)
11
P
22.09.2021
simulated realities
talent:
MAYA ROSA HACKL
simulated realities
Photography
10
P
01.09.2021
support
talent:
NINA KERN
support
Photography
09
P
11.06.2021
peculiar dreams
talent:
SOPHIA STEINBERGER
peculiar dreams
Photography
08
P
20.03.2021
hope
talent:
CAROLINA KRONTHALER
hope
Photography
07
P
14.03.2021
persona red
talent:
MAYA ROSA HACKL
persona red
Photography
06
P
06.03.2021
controlled
talent:
MAYA ROSA HACKL
controlled
Photography
05
P
06.03.2021
familiar solitude
talent:
MAYA ROSA HACKL
familiar solitude
Photography
04
G
2020-????
shirts
shirts
Graphic
03
P
10.03.2020
grotesque
talent:
BEYZA ORAZOVA
grotesque
Photography
02
F
08.03.2020
subtract
talent:
BEYZA ORAZOVA
subtract
Film
duration:
0:24´
01
P
02.02.2020
no
talent:
SOPHJI
no
Photography
Dominik Leitner © 1999 — 2023. All Wrongs Reserved.